Woman’s Rights impact on Jazz Transformations
By: Mallory Monaghan
While the Woman’s Rights movement dominated
the attention of the late 1800’s to early 1900’s, Jazz music prevailed as a
driving theme. Women’s new outlook on life and its possibilities was magnified
by the innovative sound that created the mentality of the roaring 20s. Courage,
equality, strength, and originality were all concepts encouraged by this era
and contributed to the beginnings of Jazz and its successors. These social and
cultural changes not only challenged and transformed the traditional ways of
life through the years but also transformed Jazz and the genre’s individual
style.
The earliest surviving instrumental
jazz recording is from 1917 and was recorded by the Original Dixieland Jazz
Band. This “early jazz” was “considered collective improvisation” and was
characterized by small groups and little planning. (Aaberg) This style easily
matched the individualistic attitude that beamed from the lovely ladies of the 1920s.
As women’s new, strengthened roles
became less gender oriented and more widely accepted, so began the “big band
era”. This development in Jazz came about during the 1930s and early 1940s. The
association with the big band sound created a feeling of unity and exhilaration
that motivated the decade. However, the pleasantness was cut short due to the
beginning of World War II; and so jazz transformed once again.
Be-bop was the music of the 1950s. Jazz
had come thirty years in the making to create what was finally considered
“modern jazz”. However, it did not come easily. As stated by Langston Houghes
bop comes from, “ Out of the dark days we have seen. This is why be-bop is so
mad, wild, frantic, crazy.” (Lowney) Not only did every woman achieve what to
some seemed forever impossible, they took that strength and powered through a
World War that brought pain and suffering to so many. The beginning of the
1920s, the Woman’s rights movement, and Jazz is what drove both men and women
through the thirty years it took to create such free, feel-good music.
Media Sources
The
Jazz age of 1920s; Women embrace jazz and the culture that came with it:
It
don’t mean a thing by Duke Ellington (1943)-Swing:
Dizzy
Gillespie Quintet (1963)- Bebop:
Primary Sources
Aaberg, David E. "Jazz." Phi Kappa Phi Forum
86.4 (2006): 15-18. Academic Search Complete. Web. 14 Nov. 2012.
Lowney, John. "Langston Hughes And The `Nonsense' Of
Bebop." American Literature 72.2 (2000): 357. Academic Search
Complete. Web. 14 Nov. 2012.